How to Find Your Art Style When You Like Too Many Things

(And Why Liking Many Things Is Not the Problem)

My “Poppy Milk” mini collection from 2025

If you’ve ever thought, “I like too many things , I guess I’ll never find my art style,” I want you to take a breath right now.

Because what if the problem isn’t that you like too many things…
What if the problem is that you’ve been taught the wrong order?

For a long time, I believed I needed to figure out my style first before I could put myself out into the world as an artist. Before I could show my work. Before I could pursue licensing, illustration, or meaningful opportunities.

And without realizing it, finding my style became a barrier between me and actually doing the work.

That belief quietly feeds perfectionism.
It delays momentum.
And it keeps artists endlessly “preparing” instead of participating.

If that sounds familiar, this post is for you.

When “Finding Your Style” Becomes a Trap

Here’s something I don’t hear talked about enough:

A huge part of discovering your style doesn’t happen in private.

It happens after you put your work out into the world.

It happens when:

• You notice which pieces people respond to (and which they don’t)

• You feel into what doesn’t feel aligned anymore

• You receive feedback, even neutral or confusing feedback

• You realize what’s missing from your portfolio

• You see patterns in what you keep returning to

You can’t get that information by waiting until everything feels perfect.

And yet, many artists treat style like a gatekeeper:

“Once I figure this out, then I’ll be ready.”

In my experience, it’s the opposite.

Readiness comes from repetition, exposure, and choice, not certainty.

Liking Many Things Doesn’t Mean You’re Unfocused

For a long time, I interpreted my wide range of interests as a flaw.

I love:

• Gouache and mixed media

• Digital illustration and surface design

• Animals, women, florals

• Mythical, whimsical, storybook worlds

• Minimal, chic aesthetics and rich, narrative depth

• Children’s books and licensing art for everyday objects

At one point, all of that felt like evidence that I lacked direction.

Now I see it differently.

Liking many things usually means:

• You have a wide field of vision

• You’re sensitive to nuance

• You’re capable of world-building, not just one-off images

• You’re meant to work relationally, not narrowly

It doesn’t mean you lack direction.
It means you need cohesion, not restriction.

The Shift That Changed Everything: Working in Collections

The biggest breakthrough in my creative process came when I stopped asking:

“What is my style?”

And started asking:

“What story am I telling, and how can these pieces belong together?”

Working in collections changed everything.

Before that, I created mostly one-off pieces:

• Intuitive bursts of inspiration

• Beautiful moments, but disconnected

• Little momentum

• No clear throughline for my audience (or myself)

Once I began working in collections, clarity followed naturally.

Not because I forced a style, but because I made consistent choices.

My Current Framework (You Can Borrow This)

Here’s the simple framework I use now:

Theme → Constraints → Story → Exploration

Instead of waiting for inspiration to strike perfectly, I begin with structure that still allows play.

1. Start with a Theme

This might be:

• A place (the woods, a village, the night)

• A concept (time of day, seasons, mythology)

• A feeling (quiet magic, nostalgia, wonder)

Right now, my Patreon collection Moonrise Menagerie is built around woodland settings, mythic animals, and the progression of time across a single day.

2. Add Constraints (This Is Where Style Begins)

Constraints reduce pressure and increase cohesion.

The things I consciously limit:

• Color palette (this is always my doorway in)

• Location or setting

• Tools & materials (very limited brushes or media)

• Motifs (animals, flowers, stars, repeated symbols)

• Texture & line weight

When you remove infinite options, your preferences start to speak.

3. Let the Story Lead

Instead of asking, “Am I good enough?”
I ask, “What am I trying to give?”

That shift moves the focus:

• Away from self-judgment

• Toward connection

• Toward the viewer’s experience

Story creates momentum. Style follows.

4. Keep Composition Flexible

I intentionally leave room for play.

I might have a loose idea, but I allow:

• Accidents

• Discoveries

• Adjustments mid-process

Some of my strongest moments happen because I didn’t over-plan.

Why This Quietly Teaches You Your Style

Style isn’t a single decision.

It’s the accumulation of small preferences repeated consistently.

Over time, I noticed:

• I reach for the same tools because my hand responds well to them

• I layer color in a specific order

• I return to warmth, softness, and gentle symbolism

• Stars, woodland elements, and nurturing tones appear again and again

I didn’t force these choices.
They emerged because I stayed with the work longer.

That’s the real secret.

What Changed Emotionally When I Stopped “Picking the Right Thing”

I became:

• More relaxed

• More confident

• Less afraid of feedback

• More willing to share imperfect work

Feedback became a friend, not a threat.

A “no” stopped feeling like rejection and started feeling like information.

And information builds discernment.

If You Love Too Many Things, Try This This Week

Here are a few gentle, practical starting points:

✨ Option 1: Split the Playground

Give each style its own container:

• One sketchbook for minimalist/decorative work

• One sketchbook for story-driven illustration

Let each space be cohesive on its own.

✨ Option 2: Repeat One Subject Three Times

Draw the same subject:

• In three styles

• Or with three color palettes

• Or using three tools

Notice which version feels the most alive in your body.

✨ Option 3: Stay With One Piece Longer

Instead of starting something new:

• Recreate it again

• Adjust one variable

• Refine, don’t abandon

Repetition builds confidence faster than novelty.

Style Is a Byproduct, Not the Starting Point

If there’s one thing I want you to remember, it’s this:

Style comes from consistent choices made in motion, not from waiting until you feel ready.

You don’t need to choose one love.
You need to choose a container.

And then let your preferences reveal themselves.

Want to Watch This Process Unfold in Real Time?

Inside my Patreon, I’m currently building an ongoing collection called Moonrise Menagerie: a year-long series exploring woodland worlds, mythic animals, and the subtle magic of time passing.

If you join before the end of February, you’ll receive:

• The February postcard and/or sticker

• Behind-the-scenes process

• How I make cohesive choices without forcing style

If you love woods, magic, and watching a world come together piece by piece, you’ll feel right at home.

Come along for the journey here!

Moonrise Menagerie: A Year of Magic in the Making

The official poster for Moonrise Menagerie

Every year, I love to begin with intention and this year, I’m setting that intention through art.

Let me introduce you to Moonrise Menagerie: a twelve-part collection unfolding month by month on Patreon in 2026. Each painting will be a gentle portal: a woodland scene that combines one animal, one flower, and a specific time of day. Together, they’ll tell a story of cycles, symbols, and quiet moments of connection.

If you’ve followed my work for a while, you know that I don’t just paint pictures, I also channel messages. These aren’t just animals or plants plucked at random. Every combination is intentional, and each one holds a message. I want every image to feel like the universe whispering something personal and timely to you. That’s the heart of this series:
✨ magic that meets you where you are.

Why “Moonrise Menagerie”?

I’m a lover of alliteration, and this phrase floated to me almost like a spell.
“Moonrise” felt right because it signals something rising gently, an ongoing story, a light that emerges through the dark, a rhythm we can feel but not control.
“Menagerie” brings the sense of a magical collection of beings. Each one holds mythic energy and presence. It feels alive.

What You’ll Find in Each Chapter

Each month in Moonrise Menagerie features:

• A woodland-inspired scene

• One animal guide

• One seasonal or symbolic flower

• A specific time of day (sunrise, moonrise, twilight, etc.)

Every combination is designed to:

• Spark the imagination

• Activate a sense of symbolic resonance

• Remind you that the natural world is full of meaning

The themes are personal to me, but universal in spirit. This is a story you can find yourself inside of.

A Teaser for January: “Starlight Hour”

We begin our year in the far north, in the stillness of Alaska’s boreal forest. The first chapter takes place in Starlight Hour: that deep, quiet time when the sky turns its darkest blue and the stars feel closest.

There’s a special animal and flower that live in this place and I can’t wait to share them with my patrons first. You’ll see the full reveal there, along with a channeled note, a tiny palette card, and more behind-the-scenes peeks.

How to Join the Adventure

The first sticker and postcard mailers go out at the end of January.
If you join a mail tier before January 31, you’ll receive:

• January’s original postcard print

• A matching sticker

• Access to WIPs, lore, swatch cards, and gentle surprises all year long

✨ Patreon is the only way to collect the full Moonrise Menagerie.
You’ll be able to see the full set grow month by month—culminating in a complete 12-part journey by the end of the year.

Join Patreon here →
Or hop on the Art & Soul Journal email list to follow the journey.

A Final Thought

More than anything, this collection is about remembering your inner world and reconnecting to nature’s quiet invitations. These aren’t just paintings. They’re conversations with your soul.

Whether you collect the series or simply follow along, I hope Moonrise Menagerie brings a bit more beauty, wonder, and intentionality to your year.