How to Find Your Art Style When You Like Too Many Things

(And Why Liking Many Things Is Not the Problem)

My “Poppy Milk” mini collection from 2025

If you’ve ever thought, “I like too many things , I guess I’ll never find my art style,” I want you to take a breath right now.

Because what if the problem isn’t that you like too many things…
What if the problem is that you’ve been taught the wrong order?

For a long time, I believed I needed to figure out my style first before I could put myself out into the world as an artist. Before I could show my work. Before I could pursue licensing, illustration, or meaningful opportunities.

And without realizing it, finding my style became a barrier between me and actually doing the work.

That belief quietly feeds perfectionism.
It delays momentum.
And it keeps artists endlessly “preparing” instead of participating.

If that sounds familiar, this post is for you.

When “Finding Your Style” Becomes a Trap

Here’s something I don’t hear talked about enough:

A huge part of discovering your style doesn’t happen in private.

It happens after you put your work out into the world.

It happens when:

• You notice which pieces people respond to (and which they don’t)

• You feel into what doesn’t feel aligned anymore

• You receive feedback, even neutral or confusing feedback

• You realize what’s missing from your portfolio

• You see patterns in what you keep returning to

You can’t get that information by waiting until everything feels perfect.

And yet, many artists treat style like a gatekeeper:

“Once I figure this out, then I’ll be ready.”

In my experience, it’s the opposite.

Readiness comes from repetition, exposure, and choice, not certainty.

Liking Many Things Doesn’t Mean You’re Unfocused

For a long time, I interpreted my wide range of interests as a flaw.

I love:

• Gouache and mixed media

• Digital illustration and surface design

• Animals, women, florals

• Mythical, whimsical, storybook worlds

• Minimal, chic aesthetics and rich, narrative depth

• Children’s books and licensing art for everyday objects

At one point, all of that felt like evidence that I lacked direction.

Now I see it differently.

Liking many things usually means:

• You have a wide field of vision

• You’re sensitive to nuance

• You’re capable of world-building, not just one-off images

• You’re meant to work relationally, not narrowly

It doesn’t mean you lack direction.
It means you need cohesion, not restriction.

The Shift That Changed Everything: Working in Collections

The biggest breakthrough in my creative process came when I stopped asking:

“What is my style?”

And started asking:

“What story am I telling, and how can these pieces belong together?”

Working in collections changed everything.

Before that, I created mostly one-off pieces:

• Intuitive bursts of inspiration

• Beautiful moments, but disconnected

• Little momentum

• No clear throughline for my audience (or myself)

Once I began working in collections, clarity followed naturally.

Not because I forced a style, but because I made consistent choices.

My Current Framework (You Can Borrow This)

Here’s the simple framework I use now:

Theme → Constraints → Story → Exploration

Instead of waiting for inspiration to strike perfectly, I begin with structure that still allows play.

1. Start with a Theme

This might be:

• A place (the woods, a village, the night)

• A concept (time of day, seasons, mythology)

• A feeling (quiet magic, nostalgia, wonder)

Right now, my Patreon collection Moonrise Menagerie is built around woodland settings, mythic animals, and the progression of time across a single day.

2. Add Constraints (This Is Where Style Begins)

Constraints reduce pressure and increase cohesion.

The things I consciously limit:

• Color palette (this is always my doorway in)

• Location or setting

• Tools & materials (very limited brushes or media)

• Motifs (animals, flowers, stars, repeated symbols)

• Texture & line weight

When you remove infinite options, your preferences start to speak.

3. Let the Story Lead

Instead of asking, “Am I good enough?”
I ask, “What am I trying to give?”

That shift moves the focus:

• Away from self-judgment

• Toward connection

• Toward the viewer’s experience

Story creates momentum. Style follows.

4. Keep Composition Flexible

I intentionally leave room for play.

I might have a loose idea, but I allow:

• Accidents

• Discoveries

• Adjustments mid-process

Some of my strongest moments happen because I didn’t over-plan.

Why This Quietly Teaches You Your Style

Style isn’t a single decision.

It’s the accumulation of small preferences repeated consistently.

Over time, I noticed:

• I reach for the same tools because my hand responds well to them

• I layer color in a specific order

• I return to warmth, softness, and gentle symbolism

• Stars, woodland elements, and nurturing tones appear again and again

I didn’t force these choices.
They emerged because I stayed with the work longer.

That’s the real secret.

What Changed Emotionally When I Stopped “Picking the Right Thing”

I became:

• More relaxed

• More confident

• Less afraid of feedback

• More willing to share imperfect work

Feedback became a friend, not a threat.

A “no” stopped feeling like rejection and started feeling like information.

And information builds discernment.

If You Love Too Many Things, Try This This Week

Here are a few gentle, practical starting points:

✨ Option 1: Split the Playground

Give each style its own container:

• One sketchbook for minimalist/decorative work

• One sketchbook for story-driven illustration

Let each space be cohesive on its own.

✨ Option 2: Repeat One Subject Three Times

Draw the same subject:

• In three styles

• Or with three color palettes

• Or using three tools

Notice which version feels the most alive in your body.

✨ Option 3: Stay With One Piece Longer

Instead of starting something new:

• Recreate it again

• Adjust one variable

• Refine, don’t abandon

Repetition builds confidence faster than novelty.

Style Is a Byproduct, Not the Starting Point

If there’s one thing I want you to remember, it’s this:

Style comes from consistent choices made in motion, not from waiting until you feel ready.

You don’t need to choose one love.
You need to choose a container.

And then let your preferences reveal themselves.

Want to Watch This Process Unfold in Real Time?

Inside my Patreon, I’m currently building an ongoing collection called Moonrise Menagerie: a year-long series exploring woodland worlds, mythic animals, and the subtle magic of time passing.

If you join before the end of February, you’ll receive:

• The February postcard and/or sticker

• Behind-the-scenes process

• How I make cohesive choices without forcing style

If you love woods, magic, and watching a world come together piece by piece, you’ll feel right at home.

Come along for the journey here!

The Power of a Creative Reset: Why I’m Reshaping My Patreon for 2026

2025 Sketchbook practice of Mary Blair inspired art.

I’ve always had a bit of a “jump first, figure it out as I go” pattern in my creative life, and that’s definitely been true of my Patreon. I’m the kind of artist who learns by doing, which means that each year I’ve learned something new about what it means to not only make art, but to share it in a way that feels aligned with my values and with my audience.

This year, I’m implementing one of the biggest shifts yet and it’s already starting to feel like a complete energetic upgrade.

A Fresh Approach (and a Beautiful Source of Inspiration)

Recently, I came across an incredible artist on Instagram, @rayleearts , who shared how she structures her Patreon around an annual theme. Each month becomes a new chapter in that theme, and by the end of the year, she’s built a cohesive 12-month body of work. Even more brilliant? She turns those pieces into a calendar, so the story lives on in a tangible form.

This clicked something into place for me.

As much as I’ve loved offering spontaneous rewards, I realized something was missing: cohesion.

A unifying theme. A guiding thread. Something for my patrons to follow along with, and something for me to grow with, too.

What’s Staying (and What’s Changing)

The rewards themselves ( stickers, & postcards) aren’t going anywhere. But in 2026, they’ll all live within a single magical, whimsical, seasonally-aligned theme. I won’t spoil it here (my patrons will hear it first, of course), but I can tell you this: it’s full of charm, storytelling, and wonder.

Even though I’m a little nervous (I’ve never created a full 12-piece collection before) I’m also incredibly excited. I want this to be a year where I build something I’m deeply proud of, piece by piece, with my patrons right there beside me.

More Than a Collection, It’s a Journey

In the past, my offerings were more like a “pick-and-mix” so each month was unique and often unrelated to the last. This new structure creates a much clearer experience for everyone involved. You’ll still be surprised by the details, but the direction will feel beautifully grounded.

If you fall in love with the first piece of the year, you’ll love the journey we’re about to take together.

I’ve learned that people connect to what they can follow. As a creator, I used to focus on novelty like what’s next, what’s different, what haven’t I tried yet? But this year, I want to focus on depth. I want to bring you into the process with me. I want this year to feel like we’re co-travelers through a magical little world, not just visitors passing through.

Want to Join Me?

If you want to be part of this year-long journey and collect each piece as it’s released, join me on Patreon especially before January 31st, 2026. You’ll be the first to know what the new theme is, and you’ll receive limited-edition monthly rewards that won’t be offered anywhere else.

You can also sign up for my Art & Soul mailing list here where I’ll be sharing what happens after each piece debuts on Patreon. (Hint: some of them may take on new life in ways you won’t want to miss.)

This year, I’m not just making art — I’m building a story. And I’d love for you to be part of it.

Creating from My Channel: What It’s Like to Receive Art Spiritually

A dreamy little painting from my 2024 gouache sketchbook.

There’s something indescribable that happens when I create from my intuitive channel ; a deep sense of ease, connection, and purpose that reminds me my art isn’t just coming from me, it’s coming through me.

Over the years, I’ve come to understand that my most resonant, collected, and deeply felt pieces arrive when I allow myself to open, receive, and let Source energy flow through my hands.

In this post, I want to share what that experience is really like — not just the outcome, but the energetic receiving process behind the art.

Receiving the Vision

When a piece wants to come through, I often receive it as a vision. The image arrives in my mind's eye fully formed complete with its layers, textures, and energy. It’s more than a concept, I feel the experience.

The feeling of receiving it is similar to sliding into a hot bath: deep relaxation, openness, and a quiet certainty. These visions often arrive in the liminal moments, during meditation, after I’ve moved my body, or just before sleep and in dreams. My nervous system needs to be relaxed and open, otherwise I can't hear the whispers of my creative channel.

Sometimes I even receive instructions, like a tutorial from Spirit. Over a decade ago, I was shown in a dream exactly how to create a painting on wood and finish it with beeswax. I remember being confused in the dream, and the scene literally rewound and slowed down so I could understand it more clearly. That painting sold immediately. I’ve never forgotten that moment.

Channeled Art Feels Effortless

There’s a distinct difference between trying to think up an idea and receiving one. When I try to create from effort, it feels tight in my body. I overanalyze. The inner critic gets louder.

But when I channel it flows. There’s no “trying” involved. The piece unfolds organically, and I feel connected, curious, and excited. My job becomes simply to stay open and keep going until it’s complete.

How I Open My Channel

I don’t need a big ritual to connect, just presence and preparation. I always start by moving my body first. I’ve learned that moving the body moves the mind and movement opens my channel far more effectively than stillness alone.

Once my body is relaxed, I may sit in meditation or simply remain in a state of quiet receptivity. I’ve also had incredible moments right before waking up or during sleep where pieces arrive as full downloads. These are the pieces that feel sacred, almost like gifts.

The Pieces Always Find the Right People

The most magical thing about creating this way is that the right people always seem to find the work.

Many times, collectors will share with me that a painting felt like it was made just for them. Sometimes these are pieces I never fully understood until someone else told me what it meant to them, how the symbols and colors held significance I hadn’t even considered. That’s the moment I’m reminded again: I’m not the source of my work. I’m the channel.

That’s why I’ve always said: I’m not the artist. I’m the paintbrush Source chooses to use for this particular work.

Why This Matters to Other Creatives

If you’re an artist, a visionary, a soul-driven creator… this is your permission slip to stop forcing and start feeling.

Your best work doesn’t come from the ego, it comes from the part of you that knows. Your inner mystic. Your intuitive self. Your higher guidance. And the more you open to that, the more easeful, connected, and impactful your art becomes.

You are a channel. And your job isn’t to be perfect, it’s just to be open.

Want to Strengthen Your Connection to Source?

If this post lit something up inside you, here are three ways you can go deeper with me:

• 💌 Join Patreon — where I share my process in real time and let you vote on the characters and pieces that get created.

• 🌠 Download the Starlight Dream Lab — a free guide to help you uncover your big dream and connect with your higher creative vision.

• 🌟 Join the Epic Year Workshop — to map out your dream life and creative goals using soul-aligned tools like numerology and astrology.

Final Thought

You’re not imagining it , your visions are real. Your art matters. And every time you create with intention, you become a bridge between the visible and invisible worlds.

Keep your channel open.

Keep your heart open.

The work will find its way through you and to the people who need it most.

Why I Believe My Art Has a Soul Mission

“Ascension to New Earth” fly Therese Tucker rom my 2020 Ascension Collection.

Some art is made to impress. Some to provoke.
Mine is here to connect souls.

For years now, I’ve been aware that my art has a deeper purpose. Not every piece starts with a grand spiritual idea, in fact, many of them begin with a simple sketch, a playful moment, or a color I can’t stop thinking about. But time and time again, when a piece makes its way out into the world, I end up having an experience that reminds me: this art is a vessel for something much bigger than me.

One of the most vivid examples of this was back in 2013, when I released a collection called Oceana. Every painting in that collection carried a channeled message, hidden in a sealed envelope, meant only for the person who would one day own the piece. Those messages weren’t written with marketing in mind. They were direct transmissions from Source energy, and the people who received them were deeply moved. Some said they felt like soul family had spoken directly to them through the painting.

That’s when I really understood:
my art is a bridge between the physical and non-physical.
A portal for remembering. A tool for reawakening something sacred.

What My Art Is Really Here to Do

I believe the deeper mission of my art is to create connection between the viewer and their higher self, between this world and the unseen world, between us and the soul family we may not even know we’re missing.

Sometimes the pieces carry soothing energy.
Sometimes they spark contemplation.
Sometimes they feel like a transmission or a quiet download from beyond the veil.

Whatever the reaction, I hope people feel a sense of grounding, beauty, and divine presence through what I make. Even if I’m just painting a fox or an otter, my hope is that it acts like a tuning fork, helping the viewer shift into a slightly higher frequency.

I Am Not the Source of My Art—I Am the Channel

My process is deeply intuitive. I often feel like I’m just the brush being held by something greater. Characters arrive in dreams. Composition ideas download in meditation. Sometimes I even receive step-by-step tutorials in my dream state, and once, I asked my higher self to rewind and slow down the dream so I could follow along—and it worked.

This co-creative experience is something I trust implicitly now. Even when I don’t understand why I’m painting what I’m painting, I’ve come to learn that it always finds its right home, with the right message, for the right person.

What Others Reflect Back to Me

One of the most beautiful parts of sharing my art is hearing what people see or feel when they experience it. Sometimes they’ll tell me that the colors I used hold spiritual significance for them. Other times, they’ll tell me the piece reminded them of a dream they had or a loved one who passed.

That kind of resonance isn’t logical. It’s energetic.
It’s proof that art can hold frequency.

What Art Has Given Me

For me, art has always been a sacred self-regulating tool. When I make art, it feels like a brain massage and a way to soothe my nervous system, calm the inner critic, and reconnect with what matters most. It’s helped me process grief. It’s helped me feel joy when I thought I had forgotten how.

Art is where my spirit and body come back into alignment.

The Characters That Are Finding Me

Lately, I’ve been drawn to woodland animals as well cats, otters, swans and I know I’m on the edge of discovering a whole new mythical world through them. I don’t think I’m meant to draw creatures that already exist in mythology. I think I’m here to channel new ones. Creatures that feel ancient and familiar, but entirely my own.

That world is starting to populate in the background. I can feel it. It’s coming.

I Believe We Are All Creator Beings

We were made in the image of Source… not just physically, but energetically. That means we were born to create. Whether we make art, gardens, music, meals, or homes, we are vessels for divine expression.

When I remind myself that I am a channel, not the source, I relax. I let go of ego and fear. I open. And from that place, the most meaningful work flows through.

How I Support Other Artists & Dreamers

If you’re reading this and you feel like you have a big dream but can’t quite reach it, or if you feel like something sacred is trying to express through you, but you’re not sure how to begin, I want to invite you into the spaces I’ve created for that exact purpose:

💫 The Starlight Dream Lab — A free tool to help you distill your big soul-aligned dream and receive your North Star.

🪐 Patreon — Follow along with my art journey in real time. See how my mythical world takes shape, and get early access to exclusive prints, stickers, and behind-the-scenes shares.

🌟 Epic Year Express — A self-paced version of my Epic Year Workshop, helping you turn your soul-aligned dream into a practical, step-by-step strategy rooted in your personal frequency.

Final Thought: If You Feel It, It’s Already Real

If you’re an artist, or a creative of any kind, and you’ve ever felt like your work might have a mission, I want to say this to you:

If you can feel it… it’s real.
If you’ve seen it in your mind… it’s meant for you.
If you’re doubting it, it means you care deeply.

And if you need support? I’m here.
Let’s build soul-led dreams together.